The exhibition of the artist and architect Zdenek Daniel entitled Vesmíry/Kosmosa/Universes was created at the initiative of the Museum of Roma Culture in Brno. The museum's vision was to present a cross-section of the work of a Roma author from the 1990s to the present. The museum staff agreed with the author to divide the exhibition into two parts – the introductory and more comprehensive part contains over 40 works of art, the second part is in the form of a graphic wallpaper with a selection of architectural designs and realizations.
Zdeněk Daniel is the author of the exhibited works, as well as the architectural design and implementation of the exhibition. This connection first and foremost arose from the author's practice as an architect; on a deeper level, the exhibition presents a comprehensive artistic concept incorporating the symbolic meanings of the presented works into the spatial solution.
The main exhibition space on the 2nd floor of the Museum of Roma Culture has a total area of ​​98 m2 and is divided into an anteroom and an exhibition hall. The project boldly works with the color of the walls, which contrasts with the paintings or, on the contrary, harmonizes. The architect chose a matte blue color or a Venetian trowel with a pearl effect for the selected walls. The goal was to highlight the difference of the microcosm of the exhibition upon entry and thus underline the cosmic theme of the paintings. The golden accents are in symbiosis with the decorated picture frames, and on a symbolic level they point to the topic of Roma and Roma culture, to which the author relates in his work.
The vestibule was conceived as a place to pause and get acquainted with the central motifs. The name of the exhibition "spaces" is associated here with several exhibited paintings on the theme of space landscapes, bodies or vehicles, which form one of the key chapters of Daniel's work. However, the text also suggests that the selection of works in the exhibition encompasses more of these creative universes. The vestibule also contains an interactive corner intended for children's visitors - here they can put together magnetic puzzles with the motifs of paintings or color worksheets.
The exhibition hall includes several themes, which are spatially divided by a wooden cross structure placed across the room. Visually, the first part presents intuitive acrylic paintings, while the space behind the cross wall was reserved for black-and-white drawings on the theme.

The main exhibition space on the 2nd floor of the Museum of Roma Culture has a total area of ​​98 m2 and is divided into an anteroom and an exhibition hall. The project boldly works with the color of the walls, which contrasts with the paintings or, on the contrary, harmonizes. The architect chose a matte blue color or a Venetian trowel with a pearl effect for the selected walls. The goal was to highlight the difference of the microcosm of the exhibition upon entry and thus underline the cosmic theme of the paintings. The golden accents are in symbiosis with the decorated picture frames, and on a symbolic level they point to the topic of Roma and Roma culture, to which the author relates in his work.
The vestibule was conceived as a place to pause and get acquainted with the central motifs. The name of the exhibition "spaces" is associated here with several exhibited paintings on the theme of space landscapes, bodies or vehicles, which form one of the key chapters of Daniel's work. However, the text also suggests that the selection of works in the exhibition encompasses more of these creative universes. The vestibule also contains an interactive corner intended for children's visitors - here they can put together magnetic puzzles with the motifs of paintings or color worksheets.
The exhibition hall includes several themes, which are spatially divided by a wooden cross structure placed across the room. Visually, the first part presents intuitive acrylic paintings, while the space behind the cross wall was reserved for black-and-white drawings on the theme of the Roma and Sinti holocaust (it provides an intimate, closed space suitable for contemplation). The motif of the cross evokes the symbolic meaning of suffering.