The architectural design of the exhibition on Prague Brutalism is based on minimal intervention in the exhibition space of the Trade Fair Palace. The majority of the exhibited original plans, perspectives and photographs are installed in subtle glass and metal showcases. This system is complemented by solitaire plinths with sculptures, an area with period furniture, and fleetingly installed display cases anchored to the columns by red courts. The key moment of the lighting of the whole installation are typographically processed translucent tarpaulins, covering the windows and creating a favourable dim diffused light. The exhibition opens with an information panel featuring period photographs of architecture from the 1960s-80s in the form of illusionary architecture, with reference to period 'success exhibitions'. The entire exhibition space is treated with a consistent typographic information solution, unifying the overall installation in the spatial context of the Small Hall.

The architectural design of the exhibition was created in accordance with the graphic design. The system of universal metal exhibition cases allows for the display of delicate originals, while the shading of the windows helps to optimise lighting conditions and the placement of the exhibition's information graphics. The exhibition included the installation of original sculptures, furnishings, architectural models, tapestries, etc. Some of the exhibits were fixed to the supporting structure using curtains to avoid damaging the listed Trade Fair Palace.